Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Wednesday, April 1, 2015

Book Review: Lavardia, Part III: Myra (a.ka. Shut your mopey mouth already!)

Okay, compared to Part II? This was even more painful.

I completely forgot how bad it was. Myra evolved and matured over the years so I completely forgot her origins as a whiny teenager (written by a teenager who was very clearly not having a typical teenage experience). Part of the reason is probably because I wrote this in the first person, so even though Myra wasn't me, I was remembering her as better than she was--you know, because all our memories show us as the protagonist, right? No? That's just me? Okay...

(By the way, I love how arbitrary all the ages I chose are. It's like, "Anything older than 14 is practically an adult! 20s are totally the be-all end-all!" I had such a bad thing coming...)

Myra was another foray into a different genre. While I will give my 15-year old self credit for the attempted variety of Part II, all I can say about part III is...what was I thinking? I bit off way more than I can chew! 

Myra's a descendant of the survivors of Part II (few though they were) (and disgustingly conveniently heterosexually paired off, I might add) (Tam marries some dude named Liam??!). So many people died that Lapis had to step in and have a couple kids of her own, which introduced magic to the gene pool. It's actually really stupid magic because the kind of magic I'd built, like Myra's seven sisters, was just too complicated to explain in a small amount of space. Only Victoria and Nelson (Nelson?) have powers related to their actual personalities then or now. 

Myra doesn't have a power but that doesn't matter because her great-grandma Lapis is going to be incredibly irresponsible and set her great-granddaughter loose with magical time traveling. All Myra has to do is read a book (a book--singular) about a point in history (like Egypt--EGYPT) and then travel. And she fits right in! 

I did, like, no research for this section. I read voraciously about all the places Myra travels, but didn't do any actual research. Aiyah. And to add insult to injury, there's no depth to the people Myra meets--it's not just that there's not enough time with them, it's that they're not distinct enough to be memorable, or for me to care that much about them.

Myra has horrific mood swings. She settles down a bit by the end, and I think (not having reread it yet) she's more mature in Part IV, but there's no real explanation of how she got from point A to point B. I think I got so caught up in the what of the story--the time traveling--that I neglected the other four questions. While plot-heaviness is still something that I struggle with, I'm happy to say that my struggles are a bit less egregious. 

Finally, this family is on the abusive side of dysfunctional. It's not charming or funny anymore, as I clearly thought it was at the time. I have a theory about that, but alas, I must keep it to myself. 

Anyway, time for some direct references and then I can bid this train wreck goodbye. (Would you believe me if I said that I'm still proud of this thing, despite how terrible it is?)

211) Myra's family is incredibly truncated from its original size (which has only expanded since). She originally had all four grandparents and seven sisters, many of them adopted. Also, there are apparently a lot of forced marriages. Because marriage is the only way by which kids are produced. *Sigh*

215) I flaunt my politics: tomatoes are fruits! Also, Myra cries. Just because, as far as I can tell. 

250) I actually laughed out loud at the *dramatic moment* that ends the chapter. 

Finally, one other thing I'd change? More time between Part II and Part III. I learned in college that it takes at least three generations for a major trauma like a relatively short-term genocide to be worked through.

See you soon for the final fourth and final part!

Saturday, March 28, 2015

Book Review: Lavardia, Part II: The First Destruction (a.k.a. Everyone Dies)

I knew when I finished "Willow" that the story wasn't over. I futzed around for a couple weeks, really dissatisfied because I knew it wasn't the end but not really knowing where to go. It really bothered me, the kind of bother you feel in your chest that's a lot more of a bother than you can really explain to people, especially when it's something like a story you're writing.

Cue Dad's joking.

"Maybe you should just kill off all your characters."

Okay, I'm pretty sure that's not exactly what he said. I didn't start keeping commonplace notes until Stephen and Rosenwasser got me going on them in college, so even though I thought to write down a very rough end, alas, I didn't write down Dad's inspiring lack of sympathy for the agony of writer's block.

It was amazing how quickly the middle filled in, starting with this section. It's pretty obvious to me now that I'd hit my writing stride and was itching for a change of pace--this section is a series of chapters written from different characters' viewpoints. We get villains and victims, old faces and characters that I had oh-so-subtly (cough) referenced in "Willow."

It was great fun to write.

That said, when I say that I couldn't write Lavardia again because too much happens just because I need it to happen, this is the section I'm mostly pointing at. The vaguely-medieval fantasy equivalent of a World War is started in the wake of a small skirmish on an island that, I think, is not much bigger than Hawaii's Big Island (not that I ever looked it up, which you'd think would be an obvious thing to do).

Anyway, I thought for this section I'd give a little note or two for each chapter. You're welcome to skip to your favorites/the ones worth remembering (because I forgot about a couple of them).


Madoc

You would not believe how dull his original name was before I Googled a list of medieval names.

I loved starting out with a full 360 on "Willow", starting with an alternative perspective on the whole issue. That said, I could definitely do more with Madoc now. I kind of think it'd be cool to make this character a woman. (Obviously Domicallia's blatant misogyny would have to be rethought...or thought about at all, really.)


Trevar

The chief source of my, "you can't just say it's so to make it so" woes. That said, I actually liked this bit:
That evening the pesky butler and his 'news' were driven from Trevar's mind as he, his wife, daughter, and two sons attempted to make the Queen of Asya and her husband, sons and daughters feel welcome. It was not an easy task.
The two eldest children entertained themselves by sitting in a corner and whispering to each other, but the others--Trevar's two sons and the Queen's four young girls and one baby boy--were not so easy to amuse. The boys chased the girls around the banquet hall with butter knives, threatening to cut off their braids. The second youngest girl tripped and when Trevar's sons grabbed her, she gave them each a good kick in the shins. The boys howled in pain and one struck her across the face. There was a slice of silence while the two clans of children registered what had happened, and then they all yelled and (quite forgetting their manners) proceeded to pummel anyone they could reach.  
Trevar was a nervous man on good days. Watching this happen while the Queen and her husband just ignored it and talked politics was more than he could bear. He kept shifting in his chair, his eyes darting from his children to his guests, trying to pay attention to more dull talk and his brawling children at the same time.  
His wife was in no better condition. He could tell that she longed to stand up and end the chaos and send the boys to bed without supper. How on Earth could the Queen and her husband just keep talking in such calm voices? 
One broken finger, three nosebleeds and countless bruises later, they sat down for dinner. 

Perhaps I'll refurbish it sometime in the future. For one thing, it's hardly a demonstration of the equality that the genders are supposed to have in this world. But really, true equality might be too much even for my imagination.


Aly

One of the ones I forgot about. What was even the point of this ignorance-exposing chapter? (Other than to name two characters for a friend, Ally, and her crush on Rupert Grint. I didn't exactly tell Ally how it all ended.)


Anne

This character was originally a boy with an equally lame name. I now think that the character should have stayed that way, that he should have inherited the title from his mother, and that the chapter should have been told from Claire's perspective. She needs a better name, too. Another pretty lame chapter.


Birch

Okay, I actually like this chapter. You know, compared to everything else. I think it holds together the best, and it was another chance to look at a rotten character from "Willow" and see how they'd developed. So yeah, should the spirit move you, this one's actually posted on DeviantArt. (Weird fact: Birch and Willow actually look pretty similar in my head.)


Suzie

Another "???" chapter, though it's actually one I posted as a free sample on Lulu.com. I guess I was pretty proud of it at one point. It was fun to write from a kid's perspective. Now I'm just like, "Uncle Simon, dude, what are you doing telling your adopted daughter--who's, like, six--that she has a right to make choices about her future because she has no family? YOU'RE family!" Thank goodness for life, huh?


Korcal

Korcal suffered the most. She's freakin' awesome, so cool that I've never done her the disservice of rendering her death meaningless by magically raising her from the dead (though romping around in her past is another matter), but here she's out of ideas before anything even happens. Argh! Well, maybe someday I'll get around to writing her into another fairy tale retelling I've been percolating.

At the end of the chapter, all the travelers bond over the fact that they've met Willow. This is, in fact, the exact opposite of the effect that a proper Lord Overseer of Time should have--they should slip in and out unnoticed and unremarked upon. I guess I'll let it slide since he's still in his teens.

P.S. I would totally cast Laverne Cox as Korcal.


Jo

Jo does a 360 and starts being mopey and miserable instead of helpfully providing dumb battle ideas to people who have hundreds of years more political experience than he does. Another "???" chapter, though I do like his meeting with Birch and his last moments.

Jo and Lor became the victims of my heteronormative societal brainwashing in the original. At the time I wrote this, he was upset that he didn't have a girl because Lor's dead. Now, he's upset because he doesn't have either friend because Lor's dead and Willow's AWOL. Jo's technically about 8--even if his body grew up, he's still childish in some ways and not ready for actual crushes yet.


Rusty

I'm pretty proud that I thought of writing from Rusty's POV.

I'd originally named her for another friend before I realized that dragons came from Mars--which totally needs more elaboration. (For those who knew about my abandoned space dragons story, they were not related at all.) I actually called her Sizzle for a while, which is another great name for a dragon, but not one that I could use after I decided that my dragons didn't breathe fire. In case it's not clear, that myth comes from Jo.

Also, I love how Willow's little speech starts all stilted-sounding until Philip (what is with these awful names?) cuts him off. The language in the whole book is very torn between Harry Potter-casuality and Lord of the Rings-formality.


Alexandrite

I remember finishing Rusty's chapter and getting stuck. How was I supposed to make the next section work? I'd already used a bunch of POVs, I didn't want to repeat a character but I needed someone who'd be in the thick of battle. In hindsight, it's obvious I should have given Korcal's chapter to Ivy and put Korcal's POV here, especially considering that she ends the chapter.


Earth

Talk about big picture! I did like zooming out and making clear that Earth actually existed. The physicality of the space-things drove me up the wall, though. I ended up going with homonoid shapes, but it frustrated me so much that I was talking about hands and feet and hearts in imaginary space beings. I think I could do better with something like this now.


Finally, I'm 99% sure that my abundant use of commas these days is a direct result of not using them enough when writing this book. Clearly I was skimping on my quota earlier in life and I'm making up for it now!

Friday, September 12, 2014

Reinforcements

Sorry for the silence. It’s been an emotional roller coaster for a couple weeks and I will admit that there have been a lot of low points. There have been some high points as well, so I’ll try to cover a bunch of them and not let myself be too gloomy.

I have no idea why I chose the word "reinforcement" for this entry, but I somehow just started thinking about how different applications of it kind of meshed with what was going on.


1) Backup (e.g. Additional Troops)

As those of you reading my blog are probably aware, my parents and youngest sister recently moved from north New Jersey back to Massachusetts. I couldn’t make it for the actual move, but I took a couple extra days around the long Labor Day weekend to help settle in.

I don’t think I realized just how unsettled the whole house still was until I got there, but that’s for later.

The house is, simply, gorgeous. The original granite exterior was built in the mid-1800s and expanded upon over the years to include a kitchen, enlarged sunny family room, and an attached garage. We’ve always wanted to live in a historical house and now some of us do, along with all the quirks: a very steep servants’ staircase, an uneven basement floor, an oddly placed slate patio overlooking the neighborhood cul-de-sac that used to be an Olympic-sized swimming pool, the crumbly remnants of a road in the backyard that used to be the front yard, the alternatingly chic and questionable style sense of the former owners. Oh, and a couple renovation projects.

That was probably the hardest part for me: because the top floor needs to be renovated, I wasn’t able to help with a lot of the unpacking. I got the guest room and my bookshelves and storage set up, tackled almost all of the dining room, made a big dent in alphabetizing the CDs and DVDs, and helped out with a few other projects around the house. Maybe when I’m back around Thanksgiving I’ll be able to help with some of the dozens of boxes of books…

The best/most frustrating part was that the movers didn’t do a great job of keeping everything labeled and organized by room. Mostly I noticed this when things were missing from the rooms that were mostly unpacked, but we also found a quite a few unexpected items. A box of Christmas decorations was labeled for my room, as were a few decorative objects from around our old entryway. The books and electronics from the family room, dad’s study, and the back room were mostly thrown together willy-nilly. I had two mostly empty closet boxes for my room even though there hadn’t been enough closet boxes for the rest of the family, but breakable mugs and figurines had been put in my dresser drawers without any padding.

Around the unpacking I did get a little fun in: I rescued three tiny turtles from the pool; went up to the roof to take a look at the crumbly chimney; walked to see a couple of the historic local not-witch houses; went into Boston’s North End for a nostalgic stroll by the marina, delicious lobster ravioli at Mother Anna’s, and cannolis to go from Mike’s. Part of me wishes I’d gotten to live in this awesome house in this cool area near this historic city—which may mean that Boston will have to be somewhere in my future.


2) Positive Reinforcement: Scientific Definition

As any psychology student can probably tell you, positive reinforcement doesn’t mean rewarding a desired behavior; it’s simply the addition of a stimulus or incentive to a situation to reinforce behavior. So that guy in Ghostbusters who was getting zapped for failing to predict cards correctly was actually receiving positive reinforcement (in his case, he’d prefer negative reinforcement: having the threat of zapping removed for answering correctly).

In the past couple of weeks, someone near the apartment has taken up smoking. First there’s the gentle scraping sound of the window screen going up, then the flick of a lighter, and a few minutes later I get to share the experience via the stink that wafts in through the kitchen window, sometimes as far as the living room. The frequency of these smoke breaks has been increasing from one a morning to several every day.

I don’t know who’s doing it. Up until this point, I’ve never been aware of anyone smoking nearby, except for maybe the occasional cigarette from someone who crossed the street from the steakhouse to get a little quiet. It’s annoying, but what can you do?

Well, in this case, I could apply some positive reinforcement. Every time I heard the screen go up, I rushed to the window, grabbed two pans, and started banging them together. My desire was to make the environment unhospitable enough that the smoker would find a different direction to face—like out the front window, where there’s more of a breeze to dissipate the smoke.

After some initial success, the subject (who is, my nose tells me, currently at it again) appears to have become accustomed to the ruckus—like bears who run into noise and light alarms around dumpsters so much that they learn to ignore them. Maybe I need an air horn. And “please smoke elsewhere” in Morse code.


3) Positive Reinforcement: Conventional Definition

The use of the phrase “positive reinforcement” to mean rewards for good behavior is so common that it does merit inclusion. I had a great example in mid-August when I met with CC for my half-year review. I had a great report and was given more responsibilities, including a commissioning goal, and told what I’d need to do to be considered for promotion. Yay!

Unfortunately, things got a little rough soon after that. As our office move downtown approaches, quite a few people I love working with are moving on, so there’s some sadness along with the excitement. And I’ve had several very promising leads for book projects fall through or get put on the shelf for a couple months—not that they won’t happen, and I can’t begrudge a writer for wanting to take their time, but I’ve always been the kind of person who wants to reach their goal early so that they can surpass it.


4) Assurance

Along with all the changes happening at work, though, we still have a great team of editors and assistants. My own editor has been supportive when things were rough, and other editors, EAs, and PAs have also offered opinions and advice—potential positives in turnovers, last-minute career tips, moving office decorations, shows to see, books to read, restaurants to eat at, recipes to try. I’ve also spent some time with people who I’ve not had much chance to interact with up until now. Hard to believe it's possible not to have talked much with someone in an imprint this size, but our wedge-shaped office doesn't lend itself to interaction. Which is part of why we're moving. 


5) Reiteration

Support doesn’t just come from work, either. Friends have been willing to listen and offer advice—even hilariously bad advice, when I need a laugh. Cadillac is there every morning for a quick chat to just make me feel human again, to have a conversation that isn’t about work, doesn’t require knowledge of current TV shows, and allows conversations to swing from serious to silly and back again in a few seconds. And, as usual, my family has very kindly put up with me. My mom is a saint. 


6) Strengthening

I’m trying to stay focused on this aspect of the definition, the fact that I really feel like I have a grip on the EA thing and am more than ready to move up. Even if my projects have been slow off the ground, they are coming—that’s something. But I’m also handling some complicated and delicate situations on my own (as a result of the turnover, not negligence on anyone else’s part!) and doing really well. I can answer most questions about our title management system and I know who can when I can’t. I’m writing bulletins about technology updates and monthly successes. I haven’t actually let us run out of coffee despite a surprising lack of anxiety in the office when the supply gets low. (Yes, I’m doing the coffee order. Oh, the irony! (I think…))


To step away from all the vagueness, I also did some literal, construction-level strengthening. A friend, MM, told me and Neline about a cool even that happened last Saturday evening in Madison Square Park: MAD. SQ. TASK, a massive art party for people young and old and a lot of in-between.

Volunteers had brought in supplies from all over: cardboard boxes and tubes of all lengths, sizes, and weights; ribbons pattered and plain, strings and tapes of several colors; hat boxes in at least four different sizes; seven or eight mannequins that didn’t start or end the evening with all their limbs in place; lengths of scrap cloth in a dozen textures and patterns; plain, construction, and wrapping paper; markers, crayons, paints; and odds and ends that included a couple reels of film, ladders, endless rolls of plastic wrap, and foam tiles.

Visitors had to write a creative task and put it in a box, then take one of their own and complete that task. One friend had to build a Broadway set, convince people to act in it, and gather an audience. Someone had to make and share a pizza. One group built a “power tower”. One little girl wrapped herself in tinfoil and went around asking for hugs. One person got five people to join a dance party. One little boy had to start a human wave, and some older guys quickly got on board helping him out by lending their very loud whistles. Several college kids were running around tying people together. Lots of little kids built nonsense contraptions that may or may not have been actual tasks, but hey, they were having fun.

My task was to make a five-foot-tall hat. I had no idea how to start. I ended up getting a hat box with a ribbon in it for the base, then realized that it could be five feet tall without going five feet off my head—so it was five feet tall but started partway down my back. I attached a five-foot cardboard tube to a hat box with copious amounts of tape (going by the “more is more” school of thought), so that the tube was about three feet above my head and two down my shoulders. I did some tying and taping to wrap some shiny textured gold paper around the tube, then did some creative taping and wrapping to attach some overlapping layers of dark green cloth to the top and a sandy gold textured cloth to the top of the hatbox (no glue, no staples, no scissors, and I was lucky enough to find one tiny safety pin among the cloth. Voila! I had an island hat.

But my palm tree was lonely. I decided it needed a mermaid. Again I got creative: I rolled a bundle of brown cloth for the body and secured it with a ribbon, rolled and bent paper tubes that I tucked into the ribbon to make arms, and carefully folded two corners of a scrap of blue cloth into a tail. Zhe looked a little lonely, so I tore a few fish out of green construction paper, drew on fins, gills, and smiley faces, and attached them by taping them to lengths of film that were, in turn, taped to the hat box.

When I finally put the hat on, the hat box covered my entire face. But then, a five-foot-tall hat wasn’t going to be the height of practicality anyway.

My next assignment was to give it to someone. This was fairly easy, though the poor woman I gave it to had no idea what to do with it. Alas, I was the only one to ever wear my creation: it leaned against a railing near some very wildly dressed mannequins the rest of the evening.


7) Reminder

When I’m in a slump, I have an awful tendency to become unsocial even when I really want to be around people. So to combat that, I’ve been trying to do things that I know I like, even when I do give in to the desire for some alone time.

I started with a walk in St. Michael’s Cemetery, which did not seem like a morbid thing to do until I told someone I did it. I like cemeteries. They’re quiet, peaceful. There’s so much history in gravestones, and sometimes quite a bit of personality. There were no terribly old stones that I came across—only the very late 1800s, not exactly impressive to someone who grew up in New England.

There were definite waves of fashion among the headstones. Newer remembrance walls for ashes and urns broke up the field, as did a couple rows of honest-to-goodness mausoleums. Near the front of the park the tombstones were massive in width and length, at least four feet high, with bigger plots and a handful of names of each stone. More modestly sized stones for individuals (and a few couples) filled the middle, though there was a lot of variety in decoration. Well, sort of. There were carvings of pillars and flowers and scrolls, but there were also a heck of a lot of crosses. I only realized when I saw one star and crescent that I hadn’t seen any stars of David.

There were also a lot of languages, which was a first for me. I’ve seen some tombstones in German, but that’s about it. St. Michael’s had Greek, Italian, Russian, Polish, and quite a few alphabets and languages I didn’t recognize, with a few Chinese, Japanese, and Korean letters scattered among them.

Right next to that crowded, newer section were some scattered older headstones among very large trees: one of the oldest parts of the cemetery, I believe. A far corner was dense with a variety of Asian texts and stones as tall as I was with what looked like quite a few names—family plots, I assume. I made my way back toward the entrance over a hill, through some very Edwardian-looking grave stones that were more like statues and decorations than simple markers.

What struck me most was how impersonal so many of the stones were. Granted, I wasn’t expecting it to be full of unique memorials like Barre, Vermont’s Hope Cemetery, but I expected a bit more individuality from New Yorkers. Names, dates, maybe a photo—that was it. Only a few had really personal touches: one made sure that everyone will remember he was a Yankees fan, one was a piano player, one a doctor, one a “ladies man” (that was carved on the back of the tombstone, which I thought hilarious), and in one perplexing instance the stone didn’t say anything but “MOTHER”. Those last two really struck me, since they seemed to have several possible stories behind them.

I also made note of good names as I went by. Graveyards are great places to browse for character names. I won’t include the one absolutely brilliant full name I found, since it was a relatively new memorial, but I’ve included some of my favorite individual names.

First names:     Marija     Roque     Tekla     Madiana     Orsalla     Edilia     Spyros     Quiescence     Suoma     Toman

Last names:     Rovensky     Skerbel     Timberman     Vartholomes     Dragos     Arrington     Templeton     Grassner     Spinner     Wickersheiner     Lallathine


On the subject of characters, I haven’t been writing but I have been inspired and taking notes like a fiend. I usually only dream vividly when I don’t sleep well (and yeah, there’s been a good bit of that lately), and one morning I woke up with a place and a situation and the beginning of a story clear as day in my mind. I started throwing characters at it, first from Sherlock and Elementary, but they rapidly spun out of character until they were only vaguely recognizable (though I may still play with them that way)…then, oh boy, I got Frankenstein involved. Mostly it was a desire for me to throw in some characters I’ve been building, one of whom was Frankenstein’s creature. (He likes to cook. It’s a long story.) Then I remembered “Pride and Prometheus,” a gloriously grim and gothic short story I read a while ago, and decided to get some Bennett sisters involved. I’ve cut myself off for now until I get some more plot hammered out.

As a result, I’m back to doing what I love: research. I’m gobbling up what little information and scraps of literary criticism there is about Ernest Frankenstein (the second son and the only Frankenstein to survive the novel), figuring out just how much I’m willing to fudge the properties of phosphorus in a steampunky world, looking up the thickness of permafrost, brushing up on the history of the transcontinental railroad, and very determinedly ignoring the last two digits of the years I’m looking at. We’ll see what happens.


I also had a chance to indulge in something I rarely do: fire! I had a few packets of checks with my parents’ New Jersey address on them and I’d finally gotten around to replacing them. I wasn’t sure how to dispose of them, so I figured I might as well do it completely. I brought the checks to Massachusetts, found the old “wolf pot” (an iron pot that’s always stood by a fireplace…except when we’ve repurposed it as a Halloween candy bowl) and carted it down to the pool side. Not exactly a bonfire, but fun nonetheless. It made me want to light a real fire and try cooking in that big old pot.


Food is has still been great. I’ve been out with coworkers and friends for Japanese in the East Village, vaguely South American nachos and tres leches cake, a Korean burrito (man, I love New York!), and a good old burger.

I'm also still volunteering. Since I missed Labor Day Weekend, I actually gave Xavier a try on a first Sunday. Man, was I reminded why I don't go on those weeks any more! No issues with M. Creepo, thank goodness, but the coordinators sure were doing their best to keep the hungry miserable. I took a certain savage pleasure in fetching takeout containers, extra cups of juice, and coffee--other coordinators have only ever encouraged us to do that kind of thing, since the whole point is to be welcoming and friendly! The usual post-volunteering lunch crew wasn't there, so I indulged in Panera's over the end of The Marlowe Papers.



So yeah, I’m doing what I can to get out of this funk of mine, though it’s taking more work than I’d like. Hopefully my next update will be a bit more cheery. 

Sunday, November 17, 2013

Wine Bottle Baking

I have Neline to thank for this post's title. 

This week I decided to make myself stromboli. As soon as I unrolled the rectangle of pizza dough from its canister, I noticed that one end was wider than the other. We don't have a rolling pin, so I was grumbling and stretching the dough (I did learn something during my time at Kinnelon Pizza) when Neline had a great idea: I should use the (only) bottle of wine on our rack as a rolling pin! She didn't mind a bit of flour on the bottle, so I set to. 
I actually think it worked better than most rolling pins I've used 
because the weight was nice and even. 

I didn't end up putting meat in the stromboli, but I did layer in plenty of spinach, ricotta and mozzarella cheese, diced red pepper and carrots, and--this is the fun bit--some of the leftover sauce from an Indian restaurant we went to. Thought the spices might make the stromboli a bit more interesting!

Kind of a quiet week, for which I'm grateful. I'm actually starting to feel like I've got the whole Editorial Assistant gig under control--I've finally gotten ahead of the things that had backed up before I was hired, I'm working well with authors, I've gotten excited about some projects I might work on... I took an afternoon tea break with Leila to check in about the "Editorial Assistant timeline" and get some feedback. I did get one contract back from an author who had "edited" it as they saw fit and made absolutely absurd requests. I'm tempted to print it and hang it on my wall for when I need a laugh, but something tells me that would be a bit unprofessional.

The most exciting news at work is that the Business, Economics, and Finance lists have been made their own "department," separate from humanities, so it'll be a bit easier for us to pool our resources and work more as a team instead of individually. As part of this change, we'll be welcoming a new Editorial Assistant tomorrow, which means we'll all be able to focus more on acquisition and research than on the administrative tasks that make up most of an Editorial Assistant's work, but which BF and CC had been helping out with to make everything work. 

Our Production team is working hard to get our December books ready to go, so a few of us headed out after work to let off some steam. The original plan was to go to a bar, but we got side tracked by a tapas bar--which I thought was an especially fortuitous change to the plan! Apparently this restaurant, Las Ramblas, is quite well-known. It's tiny and always crowded, so when we saw that there was a table open, we went for it. One of our number had never "given olives or mushrooms a chance," and when she did, she found that she liked them. Yay! (Guess who ordered the mushroom dish? Yup, yours truly.) She got some payback, though, by ordering mussels. I gave them a try...and liked them! So I now like mussels, though I don't think I'd want to eat many of them, and certainly not plain. We also tried two different kinds of sangria--pear and pomegranate. 

Yesterday was a day for stay-at-neighborhood chores and enjoying the lovely warm air. After choosing this week's meals I went to get the groceries to make them...but, search high and low, I could not find kalamata olives. Tell me, how is this possible in Astoria, one of the most Greek-influenced areas in New York City? Aiyah! Afterwards I did laundry in a laundromat for the first time. So exciting, I know. But I did do a bit of writing while I waited, so I guess that's what I'll be up to on laundry days. 

For the evening Neline and I met up with one of her friends to see 12 Years a Slave. Shockingly, I am not going to break it down as I have done with other films. It was excellent and brim-full, and I'm still chewing it over, really. Some of the reasons that I'm driven to write about films are their disregard for human life and decency and the problematic or completely absent handling of complex social issues. 12 Years a Slave was, obviously, a film that had those kinds of concerns at its heart. The only things I will say are these: 
1) I hope with all my heart that Lupita Nyong'o has a wonderful career ahead of her 
2) I need to watch some more Steve McQueen movies   
3) Listening to the audience react was just as important a part of the movie experience, to me, as the lighting, the costumes, and the historical accuracy 
4) Benedict Cumberbatch should be fined for his atrocious "Southern" (US) accent
Afterwards we went up to "Curry Hill," which I'd never heard about--an area with a high concentration of Indian restaurants. Hey, I'm certainly not complaining! Neline and I got some absolutely delicious lamb at Tamba, though we're not quite sure what we ended up ordering since there was apparently some confusion in the kitchen. This is the source of the sauce that went into my stromboli. 

And that's it! I'm sure you're relieved. Kate'll be over next weekend, so there should be more interesting things to write about then.